Rodel Gonzalez
Rodel Gonzalez is an artist of inspirational talents with a keen eye for seeing the beauty in the commonplace and grace in the ordinary. His story starts with an initiation into the art business through the tutelage of his father, Rick Gonzalez, and grandfather, Felix Gonzalez, at the age of 9. “Growing up, my father would always tell me not to be intimidated by the paint and be 100 % sure about my intentions on my first stroke at the canvas,” says Rodel. His explorations of color, form, and composition ignited a lifelong passion for the arts in its many forms.
He studied at the University of Santo Tomas, with a major in painting, and went on to earn a degree in Interior Design from the Philippines School of Interior Design. This early training required perseverance in acquiring the skills and discipline that would prove to serve him well in future endeavors on his path to artistic freedom.
His artistry became evident in the field of music, and at 20, he founded "Side A" in the Philippines. The band is still active today and is currently the longest-lived band in Manila. Rodel was the lead singer and the band's most prolific songwriter. His success in the music industry fulfilled a part of him, but exposed a desire for a more meaningful and deeper connection with his audience. In 1994, Rodel embarked on a new journey. His talents were manifested as a minister in the service of others. Although busy with his official duties, he maintained his connection with art by doing commissioned portraits, murals, and sketches for friends and acquaintances.
In 2002, Rodel began in earnest his dreams of pursuing a fine art career. With inspiration and influence from his brother, Rudolf Gonzalez, and support from his cousin Roy Gonzalez Tabora, he has a newfound energy and dedication for his artwork.
When asked about his latest works for the Disney Fine Art portfolio, Rodel has said, “Having the opportunity to create Disney paintings is such a treat because Disney was definitely part of my childhood. I remember watching my first Disney films, "Bambi" and "Snow White," and ever since I've been mesmerized by the succeeding Disney movies I've seen. I believe a painting is a mirror of the painter's understanding of an insight he has. The Disney paintings each involved such a strong concept that every brushstroke was a joyful anticipation of the finished product. The energy was very strong; therefore, my intentions were sure and refined. I would say that there was a lot of grace present in every painting”.
